File includes printed programme from the Kilkenny Arts Festival Production of The Book of Evidence; Press cuttings of stories researched by Vaněk, such as the case of Malcolm McArthur; press cuttings of coverage of the Kilkenny and Dublin productions of The Book of Evidence; manuscript design notes by Vaněk. Large outsize plans and drawings by Vaněk including ground plans, elevations, lighting grid, stage right section and technical drawings for the production at the Gate Theatre and also plans and drawings of the Kilkenny Arts Festival production at the Watergate Theatre, Kilkenny, such as Ground Plan,

File of fax and letter correspondence between Jane Daly, General Manager, Druid and staff at Kunsten Festival des Arts, Brussels regarding arrangements for a production of "The Blue Macushla"; File also includes signed actor contract by Sean Rocks, for engagement of Rocks for the Galway production of the play; Detailed nightly box-office and sales records also included.

Printed programme from Robert Lepage and Ex Machina production of "The Blue Dragon", by Marie Michaud and Robert Lepage and directed by Lepage, staged at the O'Reilly Theatre, Belvedere College, Dublin, as part of the Dublin Theatre Festival. Includes articles on the life and work of Lepage; "innovative theatre for a global community by Jane Koustas; a note from Lepage; images from rehearsals and images and biographies of cast and production members.

Files of records relating to the Saville Enquiry into the events known as 'Bloody Sunday' which happened in Derry on 30 January 1972, where 14 people died as a result of shootings following a Civil Rights march in the city. Files include personal statemen

TS document being the Opening Statement of the Bloody Sunday Enquiry outlining its goals. objectives and methods when investigating actions that occurred in Derry in January 1972.

Printed programme from "The Birthday Party" written by Harold Pinter and staged by Terrible Beauty Theatre Company, directed by Gary Egan.

Printed programme from Gate Theatre, Dublin, production of "The Birds" written and directed by Conor McPherson and staged at the Gate Theatre, as part of the Dublin Theatre Festival. World Premiere production, based on the short story by Daphne du Maurier. Includes article on du Maurier; article on McPherson; article entitled "du Maurier and McPherson in the Hall of Mirrors" by Emil Nowak; article on Conor McPherson at the Gate Theatre - past productions information and images; interview with actor Ciarán Hinds; images from rehearsals; images from other recent Gate productions and images and biographies of cast and creative team members.

Black and white and also colour photographs taken from 'The Big Game' by Macnas. this event preceded the Connacht Senior Gaelic Football Final, at Castlebar, Co. Mayo. It was further preceded by a parade through the town to the stadium. Includes workshop images of the 'big heads' being constructed and shaped; images of football training sessions, images of the stadium and of the performance at the Final by Macnas members. Also a shot of Rod Goodall in costume as a Bishop and mimicking Bishop of Galway, Eamon Casey.

File of black and white and also colour photographs, with contact sheets of multiple images and also negatives of images taken during rehearsal and production of the play. Includes a separate photograph of Garry and Jerome Hynes, Maelíosa and Orfhlaith Stafford and Paul and Jane Brennan, with caption of "Three Sets of Brothers and Sisters in Druid, Summer 1984".

File of Fax and letter correspondence between Druid Theatre and others concerning the production of "The Beauty Queen of Leenane" in New York at The Atlantic Theatre. Includes correspondence from Liz McCann of Elizabeth Ireland McCann, making arrangement for a New York theatre before the Atlantic is signed on, other venues are considered and discussed as well as the potential need for American cast members outside of the Druid company. Letters describe Neil Pepe at the Atlantic being "Bullish" is his chasing of the Druid/McDonagh play. Letter from Hilary Hinkle, Atlantic Theatre, expressing feeling strongly that "Atlantic is the right space and right atmosphere for 'Beauty Queen' . . . we can make introducing Martin and Druid to America an EVENT . . ." (21 May 1997) A subsequent fax outlining terms of production agreement from the Atlantic Theatre (8 May 1997)