File of drawings and plans that include door and window plans; downstage flattage assemblies; fluorescent light flipper; flown flattage assemblies; US flattage layout; sketches of rain machine apparatus; fax correspondence between Ed Wilson/Mark Townsend with Mairead McGrath, Druid Theatre (May 1997) discussing plan and design details; sketches of set layout for The Leenane Trilogy plays; correspondence from designer Francis O'Connor, with sketch design annotated; revisions to stage left wall (by fax - 13 May 1997); blueprint of 'truck dolly' (14 Mar 1997); Grave area outline plan; also includes internal file labelled "Floor Plans, Skull, Lonesome".

Signed copy of contract agreed between Druid Theatre Company and Maelíosa Stafford for inclusion in the cast for "The Leenane Trilogy" as produced at the Sydney Festival.

File includes Fax copies of the agreement made between the Sydney Festival Ltd. and Druid Theatre Company, detailing terms of production contract, production and rehearsal schedule, pr-agreed budget and other such information.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing the attendance at the production by th Irish Ambassador to Australia; rehearsal and technical specification planning; fee payments and lodgement of payments; wages, payments and budget; insurance, packing and freight and other such administrative matters.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letter from Louise Donlon, Druid, to Brett Sheehy, Sydney Festival, proposing "The Leenane Trilogy" for production in Sydney and outlining the plays. (3 Feb 1997) Includes subsequent fax correspondence between the two discussing the plays and the logistics of a touring production (Feb 1997) Later correspondence venue technical specifications; technical requirements and suitability of the plays (Mar 1997) Correspondence in March finalises the selection of "The Leenane Trilogy" rather than "Beauty Queen of Leenane" for production and correspondence in May - June see discussions centering on budget, potential deficit and other logistical details.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing production schedules in Sydney, a potential extra Trilogy performance and its implications on cast; wages; accomodation; bank statements of settlement of payments; financial information from the Sydney production and correspondence between Druid and the Sydney Festival at the conclusion of the Sydney run; File also correspondence between the Atlantic Theatre Company, New York and Druid Theatre concerning the planning of production of "The Beauty Queen of Leenane" in New York.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Maurice Power, Louise Donlon and others of Druid and others such as Leo Schofield, Festival Director, Sydney; Annette Anderson, Production Co-Ordinator; Brett Sheehy, Deputy Director, Sydney Festival. Issues discussed include ground plans revisions (31 Jul); requests from Druid to finalise agreement plans and publicity 14 - (15 Jul); design constraints; plans of the York Theatre (11 Jul) Correspondence between Donlon, Schofield and Sheehy concerning a fall-out in planning of the Sydney production of the Trilogy owing to a subsequent offer of a production of "Beauty Queen" on Broadway. (1-3 Jul 1997) Correspondence through August confirms an agreement moving forward for a production by Druid in Sydney; decision the Footbridge theatre is technically suitable to host the Trilogy and further conversations concerning budget and agreement negotiations.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing clauses and additions to contract and terms of production agreement as well as clash of dates (28 Nov 1997); travel, migration and visas - correspondence with the Australian Embassy; fax discussion concerning production of McDonagh plays (Beauty Queen) at the atlantic Theatre, New York; discussions and drawings concerning theatre technical specifics and plans; cast itineraries and other administrative matters.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing transport and logistics of tour arrangements; theatre technical details of the Fottsbridge, set-up and get-in discussions; drawings of design elements; changes to cast members and publicity; flights; production schedule; insurance and other administrative matters.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing the possible clash of timing for a run of the Trilogy as planned in Sydney with a run of Beauty Queen of Leenane in New York which would see Beauty Queen be eligible for Tony award nomination; correspondence outlining 'a grueling production schedule' in Sydney, pending agreement of cast members; planning correspondence around logistics of shipping and transfer of set; budgetary and scheduling discussions; travel arrangements; publicity and media; a draft contract between druid and Sydney Festival and related information