File of correspondence relating to the production and administration of "The Leenane Trilogy". Includes Fax from Ed Wilson, Royal Court Theatre, London to Maurice Power with information re. Sophie Gabszewicz, Deputy Stage Manager (5 Feb 1997); Fax from Ed Wilson and Maurice Power re. 'Traps, Water and Touring' for stage management concerns re. "The Leenane Trilogy" and being a discussion document for Galway meeting (11 Mar 1997); Fax from Louise Donlon, Druid to Tony Ó Dálaigh, Dublin Theatre Festival re closing dates of "Shoot the Crow" by Owen McCafferty (10 Mar 1997); Memo from 'Production' to Power, Hynes, Donlon, Fleming, Walsh and Brady re. stage management issues for "The Leenane Trilogy" (10 Mar 1997); Copy of contract made between Dawn Bradfield, cast member, and Druid Theatre Company for inclusion in "The Leenane Trilogy" (13 Mar 1997) Copy of contract made between David Wilmot, cast member and Druid Theatre Company for inclusion in "The Leenane Trilogy" (13 Mar 1997); Letters of contract sent to Siobhan Breen, Niall Cranney and Sophie Gabszewicz, all based in London, confirmation their engagement as Deputy Stage Managers for plays within "The Leenane Trilogy" (24 March 1997) Draft company list sent from Mairead McGrath to Hynes, Fleming, Donlon, Brady, Power and Walsh. (27 Mar 1997) Memo from Mairead McGrath to Louise Donlon with attached production/rehearsal schedule with details of overtime. (28 Mar 1997)
Text of invitation and proposal for press launch by Druid Theatre Company for the launch of "The Leenane Trilogy". (24 Mar 1997)

File contains lists of amounts paid to cast members, wages and/or expenses; Fax copy of production budget from the Royal Court Theatre, London (1 May 1997); Fax from Louise Donlon, General Manager, Druid Theatre to Jess [ ], Royal Court Theatre, with draft images for use on poster; (6 May 1997), fax copies of draft programme design; Letter from poet Thomas Kinsella to Garry Hynes, giving permission for Druid to reprint Kinsella's translation of 'Triur ata ag brath ar mo bhas'. (10 May 1997); travel details for travel between Dublin, Galway and London (21 May 1997); Letter from Louise Donlon to Jerome Hynes, seeking advice from Hynes on the structure of The Leenane Trilogy and audience experience (22 May 1997). With attached Fax response from Hynes. Also includes correspondence from Donlon to various Irish media outlets in Galway and nationally, such as Galway Bay FM, Galway Advertiser, The Irish Times and also letter from Donlon to Bank of Ireland, Galway, regarding sponsorship. (May 28 1997)

File of fax and letters between Druid Theatre Company and The Royal Court Theatre, with fax letters to Jerzy B. Gawor, 'Quality Project Consultants re. supply of rain and water system for The Leenane Trilogy (TLT) (Jul - Oct 1997); Fax copy of draft TLT budget from Alpha Hopkins at the Royal Court Theatre, to Louise Donlon of Druid. (3 Nov 1997); Contract for Brian F. O'Byrne for The Leenane Trilogy and made between O'Byrne and the Royal Court Theatre, signed by O'Beirne and Alpha Hopkins of the Royal Court. (1 Oct 1997); Letter from Donlon to Claire Barker, The Rod Hall Agency, London detailing full royalty statements due to author Martin McDonagh for The Leenane Trilogy as produced in Galway from Jun Jul 1997. (24 Sep 1997); Fax invitation to Druid Theatre Company to participate in the Festival Sarajevo in Winter 1998 (9 Oct 1997); Fax from Alpha Hopkins to Torsten M[ ] of Berliner Festspiele apologising for being unable to tour The Leenane Trilogy but offers to tour the Royal Court production of "The Weir" by Conor McPherson, directed by Ian Rickson and outlines Royal Court tour priorities.

File of correspondence which includes the beginning of discussions around Druid's planning to stage "The Leenane Trilogy" for its world premiere and Irish and UK tour beginning in June at the Town Hall Theatre, Galway in June 1997. Includes letter from Louise Donlon, General Manager, Druid Theatre, to Mike Diskin, Director, Town Hall Theatre, Galway, seeking to book the THT for The Leenane Trilogy, with response from Diskin (5 Nov - 7 Nov 1996); copies of box office records for "The Beauty Queen of Leenane" at the Town Hall Theatre, Feb 1996; Fax from Donlon to Garry Hynes, Artistic Director, Druid Theatre, outlining a preliminary budget for production of The Leenane Trilogy and also a proposed breakdown of production schedule (30 Oct 1996); Minutes of Management meeting, with Hynes, Donlon and Maurice [Power ] in attendance, outlining production updates on 'The Leenane Plays', the Druid Lane Building Project and also regarding concerns for the health of Anna Manahan, with her well-being described as being the 'safe-guard for the entire project'. (4 Nov 1996); Fax from Power to Druid with details of "projected incurred production costs on Film-Fleadh break - Budget Costs as 27 Nov 1996; Memo from Donlon to Hynes re. Galway Arts Festival dates for the Leenane plays, feasibility, finance and effect of break on audience, with attached rehearsal/production schedule breakdown. (27 Nov 1996); Memo from Maureen Hughes, Casting Agent to Hynes and Donlon re. casting for The Leenane Trilogy (21 Jan 1997 and 6 Feb 1997)) Memo from [Donlon] to Maurice Power re. changes to Trilogy budget (10 Jan 1997)
File also includes contract signed between the Town Hall Theatre, Galway and Druid Theatre Company for production of "The Leenane Trilogy", signed by Diskin. (19 Dec 1996) Fax from Power to Donlon with list of notes and comments relating to production contract at the Town Hall Theatre. (29 Jan 1997)
Additional discussion document re. Agreement between Druid and Town Hall Theatre covering the Leenane Trilogy plays (n.d.) Extended Total Pre-Production Budget for "The Leenane Trilogy", opening date 3 June 1997.

File includes letters and fax correspondence between Francis O'Connor, Set Designer; Bob Foster, Stage Services North; with others at Druid Theatre, The Royal Court and also Maurice Power, producer, detailing suggestions for design and alteration to designs for set of The Leenane Trilogy. Includes props, furniture and set list; sketches and lists of props on set; Tech sheets for opening sequence of Beauty Queen of Leenane; scene breakdown of setting and positioning; lighting plots and other related information.

File detailing a production schedule for cast and crew members of The Leenane Trilogy and part-time employee payment records.

File of rehearsal notes and comments recorded during rehearsal of The Leenane Trilogy.

Copy typed scripts, reading and rehearsal copies, for the three plays of 'The Leenane Trilogy' as used by Druid Theatre Company.

File of nightly show reports from performances of The Leenane Trilogy along its Irish and UK tour, with specific details on each nightly performance.

A4 notebook belonging to Mairead McGrath, Company Stage Manager for The Leenane Trilogy, detailing stage management notes and plans from throughout the production, with specific detail on lighting, sound, design, set and general staging.