Copy of TS document being an enquiry form into the details of victims of and cases of incidents of plastic bullet use.
Printed document
6134 Archival description results for Printed document
Printed programme from Once-Off Productions staging of 'the Rep Experiment' - reperatory staging of "Platonov" adapted by Susan Coyne and Laszlo Marton after Anton Chekhov, directed by Darragh McKeon; "Metamorphosis" adapted by Steven Berkoff after Franz Kafka and directed by David Horan and "Mr Kolpert" by David Gieselmann in a translation by David Tushingham, directed by Tom Creed. Includes an introduction to the staging and biographies of those involved, an an introduction from Thomas Conway, Literary Manager, Druid Theatre Company.
Printed programme from Avenue Theatre Company, Dublin, production of "Play" and "That Time", two one-act plays written by Samuel Beckett and of "Overruled" a one-act play by George Bernard Shaw, both directed by Sean Campion. Production manager was Ros Dixon. Includes an article "Beckett, Shaw, Seen in Prague."
File of letters between Maureen Hughes, Druid Theatre Company, and Michael Callahan, Warner CHappell Plays Ltd., discussing production rights for Druid to produce "Of Mice and Men" by John Steinbeck; "Of Shadow and Substance" by P.V. Carroll. Includes grant of play licence to Druid for "Of Shadow and Substance and terms of royalties owed on the production.
File of letters between Jerome Hynes, Druid Theatre Company and staff at agencies such as Curtis Brown Ltd, London and Samuel French Ltd. London, concerning play license agreements to produce "Aristocrats" by Brian Friel. File includes copy letter dent by Hynes to Leah Schmidt at Curtis Brown indicating an agreement from Brian Friel to Druid's planned production of "Aristocrats" to take place in Galway in December 1986 (27 Oct 1986); Letter from Hynes to Justin Dewhurst at Samuel French Ltd. indicating a delay to the planned production of "Aristocrats" owing to 'casting and scheduling difficulties' (14 Nov 1986); Copy of license granted to Druid attached. Letter with further licence attached, for Druid to produce the play in March 1987 (26 Nov 1986) Letters between Hynes and Schmidt indicating Druid's renewed plans to produce "Aristocrats" directed by Ben Barnes, however the rights to the play are not available. (Sep 1988)
TS letters between Garry Hynes and Jerome Hynes of Druid Theatre to various play agents concerning production rights. Includes letters between Jerome Hynes and Fraser Dunlop Ltd., London, and the Playwrights' Horizon, New York, concerning rights for plays "Sister Ignatius Explains it All To You" by Christopher Durang and "Terra Nova" by Ted Tally (1982); Letters between Jerome Hynes and Jane Phillips of The International Copyright Bureau concerning rights and license for "Mother Courage and All Her Children" by Bertolt Brecht (1983)
Copy letter from Jerome Hynes to Michelle Steinberg, Margaret Ramsay Ltd. concerning rights for M.J. Molloy's play "The Wood of the Whispering" (Dec 1983); Letters between Garry Hynes and Diana Gibbons, Margaret Ramsay Ltd. seeking script and rights for "Top Girls" by Caryl Churchill. (Feb 1983)
File includes correspondence between Garry Hynes, Consultant Artistic Director, Druid Theatre, and Nicki Stoddart and also Anthony Jones of Peters, Fraser and Dunlop, discussing arrangement for grant of permission for Druid to produce "The Salvage Yard" by Frank Deasy. Includes Druid reader assessments for the play as it was submitted to Druid, detailed correspondence regarding developing a production and a contract dated 6 October 1995, signed and agreed between Deasy and Druid to produce "The Salvage Yard (Trouble Sleeping)"
File of letters between Druid Theatre Company (Jerome Hynes and Garry Hynes) and rights holders for plays by Geraldine Aron, namely, Margaret Ramsay Ltd. Includes letters between Garry Hynes and Diana Gibbons of Margaret Ramsey Ltd. enclosing royalty cheque owed for costs owing from production of "Bar and Ger" and "Galway Girl" and also requesting a license to produce "A Doll's House" by Ibsen, translated by Christopher Hampton. License granted by Ramsay Ltd. to Druid for this production of Ibsen's play. Stated production named as happening in Nov - Dec 1980. (Oct 1980). Box-Office Statement with royalty figure owed by Druid is prepared by Jerome Hynes (10 Sep 1981); License for Druid to perform "A Galway Girl" at the Dublin Theatre Festival, (Sep 1983); Box-Office statement for this run with owed royalty figure calculated by Hynes (Dec 1983); Play license granted to Druid to Produce "A Galway Girl" in Galway, Jul 1983; Play license granted to Druid to perform "A Galway Girl" at the Peacock Theatre, Dublin, Jun 1981; with attached letter of royalty figure owed by Druid for the production.
Correspondence (May - Jul 1980) between Garry Hynes and Deirdre Murphy, Administrator, druid Theatre COmpany, and Diana Gibbons of Margaret Ramsey Ltd. concerning Druid's desire for full rights and option on Irish and UK productions of Aron's "Bar and Ger". Includes discussions about Irish touring production of the play, UK touring productions and concerns on business and artistic matters if a Florence Rep Company also has rights to the play.
TS correspondence between Garry Hynes, Jerome Hynes, of Druid Theatre Company and various literary agents concerning play licenses and rights. Includes letters between Garry Hynes and Joanna Marston of Rosica Colin Ltd. regarding rights to play "Sundance" by Meir Z. Ribalow. (Oct - Nov 1980); Letters between Jerome Hynes and Clive Godwin Associates regarding rights to produce Sam Shepard's "Geography of a Horse Dreamer, including grant of play license and royalty figure (Jul 1981); Letters between Hynes and Clive Godwin Associates regarding license to produce Shepard's "Action". (1983)
Letters between Jerome Hynes and Felix de Wolfe concerning rights to produce "The Nightingale and Not the Lark" by Jennifer Johnston. Letter from Ruth Cooper of Fraser & Dunlop Scripts Ltd. discussing rights for Tom Stoppard's play "On the Razzle" with Garry Hynes. (21 Dec 1981)
Letters between Jane Daly, General Manager, Druid Theatre, and Joyce Ketay, play agent, seeking rights to produce "Angels in America" by Tony Kushner.