Material relating to the Marriage and Family Institute later to become the Clanwilliam Institute of which Mary Robinson (MR) was a Trustee, including memo on articles of association, annual report, correspondence, cuttings, flyers, material relating to the Family mediation service, summary of presentation by MR at Marital Breakdown Conference, Dun Laoghaire, 05/09/1986 and summary of speech by MR at formal opening of Clanwilliam Institute, 12/06/1989.

Printed programme from Dragonfly Theatre production of "Married to the Sea", staged at T36, the Teacher's Club, Parnell Square, Dublin as part of the Dublin Fringe Festival, written and directed by Shona McCarthy. Includes images and biographies of cast members. Play is based in the Claddagh, Galway.

Printed permit, county of Wexford, "Complying with Brigade Proclamation Number Eleven - Permit to Ride a Bicycle". Riders name and address is scribbled out but name appears to be [Tomas]. Occupation is noted as 'Scholar' with reason for permit is to 'ride to school', dates and times also noted. Signed by [H. Ealing-Wilmot], Officer Commanding Troops, Wexford.

File of final and signed contracts for production agreements made between druid Theatre Company and Martin McDonagh. Includes agreements made for productions at the West End, London. Contracts present for "The Beauty Queen of Leenane" (10 Jan 1997), signed by Martin McDonagh; contract for "The Lonesome West" made with Druid and the English Stage Company Ltd (The Royal Court) dated 26 Feb 1997, signed by McDonagh, Hynes and others; Contract made between Martin McDonagh, The English Stage Company Ltd and Druid Theatre, dated 12 June 1998, for production of "The Lonesome West", dated 12 Jun 1998 - further contract for same dated 2 Jul 1998 also present. Further document entitled "Participation Rights - The Beauty Queen of Leenane" detailing global option rights, royalties owed and other such information. Note File 2 includes photocopies of contracts present in File 1.

File includes fax and letter correspondence discussing the later stages/conclusion of the royalty dispute concerning the Broadway production of "The Beauty Queen of Leenane". Includes letter from Louise Donlon, General Manager, Druid, to Carolyn Jennings, Campbell-Hooper Solicitors, enclosing a cheque for payment for legal services done regarding the "Beauty Queen" situation (1 Oct 1998); Letter of response to this from Jennings to Donlon, seeking clarification of a statement made in the letter (5 Oct 1998); Fax letter from Jennings to Garry Hynes, Louise Donlon and Vikki Heywood, regarding terms of North American rights (7 Oct 1998), Following correspondence discuss certain terms of the agreement; draft letter from Donlon to Jennings, clarifying the comment made in letters sent 1-5 Oct 1998 (23 Oct 1998) Letter from Jennings to Donlon, stating she spoke with Garry Hynes yesterday and delighted to hear all backdated royalties have been paid to Druid and now Jennings seeks payment of legal services bills (27 Oct 1998) Breakdown of costs for legal services invoiced by Jennings for work re. Beauty Queen royalties (27 Oct 1998)

File of fax and letter correspondence between various parties involved in the issue of royalties relating to the U.S./Broadway production of "The Beauty Queen of Leenane" by Martin McDonagh. Includes fax from Peter Cane, Attorney, NY, to John F. Brecho, Paul, Weiss, Rifkind, Wharton and Garrison, updating position regarding the ongoing royalty dispute (1 Aug 1998); Fax from Louise Donlon, Druid, to Donagh O'Donoghue, Chairman of Druid Board, further updating on the royalty issue, with attached statement signed by Nica Burns (4 Aug 1998); Fax from Donlon to Carolyn Jennings of Campbell-Hooper Solicitors, attaching a full-page statement by [Garry Hynes] outlining the history of the relationship between Martin McDonagh and Druid and of first contractual terms (4 Aug 1998) Fax from Jennings to Donlon with attached detailed update of the situation; Letter enclosing a contract review of Martin McDonagh-Druid contracts prepared by Giovanna Milia of Campbell-Hooper (20 Aug 1998); Fax copy of letter from Caradoc King of A.P. Watt, confirming agreement of management being transferred to the Rod Hall Agency (26 Jul 1997) with further agreement of same signed by Martin McDonagh (8 Jul 1997) Letter from Donlon to Clare Barker, Rod Hall Agency, detailing nightly occupancy and royalty figure owed to Martin McDonagh for production of "The Lonesome West" at Druid Lane (28 Aug 1998)

File of fax and letter correspondence between Druid, Rod Hall Agency, Campbell-Hooper Solicitors discussing terms and agreement for productions of plays by Martin McDonagh. Includes list of international sales of rights for productions of works by McDonagh as on 29 Jan 1998 (plays sold for production in 21 languages in 26 countries) Fax from Louise Donlon, Druid to Clare Barker, Rod Hall Agency, re. rights for music "The Spinning Wheel" by Delia Murphy in "The Beauty Queen of Leenane" (2 Feb 1998); Fax from Carolyn Jennings, Campbell-Hooper Solicitors to Louise Donlon, forwarding correspondence from Peter Can, U.S Solicitor for terms of agreement for U.S. production (10 Feb 1998); Letter from Clare Barker to Louise Donlon stating revision of international agreement rights for McDonagh plays and the note that certain options, such as West End, are invalid for Druid and others such as the Australian production of The Leenane Trilogy plays and New York "The Beauty Queen of Leenane" were done so without valid contract, revised contracts therefore necessary. (19 Feb 1998); Letter from Garry Hynes, Druid, to Rod Hall, mentioning she has often mentioned to Martin McDonagh the possibility of a film version of "The Beauty Queen of Leenane" but that he is reluctant to do so (12 May 1998) Reply from Hall to Hynes (13 May 1998)

File of Fax and letter correspondence -between Druid Theatre, Rod Hall Agency, Campbell-Hooper Solicitors, Peter Cane Attorney (NY) and others, primarily concerning arrangements and terms and conditions, option rights etc. for a U.S. production of "The Beauty Queen of Leenane" by Martin McDonagh. Includes fax from Garry Hynes to Rod Hall discussing maximum exploitation of the production but not to compromise Druid's production (2 Jul 1998); Fax from Louise Donlon to Clare Barker, the Rod Hall Agency, enclosing sterling draft of £3,375 to secure North America rights for "The Lonesome West" (2 Jul 1998) Spanish language rights sought in South America and also other international rights queries such as from Dundee Rep Theatre, Scotland also raised in correspondence. MS minutes of APC meeting between "producer and other producer . . .in U.S. and Canada."; Letter from Gerard E. Harper, of Paul, Weiss, Rifkind, Wharton and Garrison, to Louise Donlon of Druid, stating that due to non-payment of monies to McDonagh by Druid, McDonagh has indicated he will terminate an agreement (15 Jul 1998); Fax from Peter Cane, Attorney, NY, representing The Beauty Queen Company Limited Partnership and the Atlantic Theatre Company, questioning the place of the previous letter by Harper and its statement. Further clarification as to their role representing Martin McDonagh is required. (16 Jul 1998)

Fax from Carolyn Jennings of Campbell-Hooper Solicitors to Garry Hynes, Druid, attaching fax copy of response to Harper and Can concerning liability of contractual conflicts owing to "The Beauty Queen of Leenane" by Martin McDonagh. (17 Jul 1998) Letter from Louise Donlon to Rod Hall detailing points for response to contractual agreement issues for BQL (17 Jul 1998); Fax from Alison Chivers, Campbell-Hooper, to Louise Donlon, attaching updates as sent to Rod Hall. Includes further correspondence between all parties discussing the issue. Also includes fax copy of agreement made between Martin McDonagh, Druid Theatre and the English Stage Company for "The Lonesome West" (2 Jul 1998); Fax with cover letter from Louise Donlon to Victoria Stevenson, General Manager of the Beauty Queen Partnership in New York, office of Steven Levy, stating the Beauty Queen Partnership cannot withhold royalties owed to Druid and asks that they be released (24 Jul 1998) Fax letter from Donlon to Donagh O'Donoghue, Chair of the Druid Board stating an update that Stevenson has confirmed that royalties owed to Druid are being withheld by US producers (28 Jul 1998).

Fiel includes fax and letter correspondence including fax from Clare Barker sent to Shree Carter-Galvan, of Paul, Weiss, Rifkind, Wharton and Garrison, outlining her displeasure at the tone of previous message sent to various parties including Vikki Heywood of teh Royal court, which outlined various opinions and demands regarding the ongoing royalty dispute (4 Sep 1998); Fax from Carter-Galvan to Barker, outlining her dismay at the inflammatory tone of Barker's messages and states further considered facts on the case, such as the denial by Martin McDonagh on grant of secondary rights to the dramatists play service, denying Druid's entitlement to same rights (4 Sep 1998) Fax from Jennings to Carter-Galvan (referenced in the above messages) (3 Sep 1998); Draft letter from Louise Donlon, Druid, to Rod Hall, stating the purchase history of North American rights for plays by McDonagh (10 Sep 1998); Some solutions to the ongoing rights problems suggested by Louise Donlon (10 Sep 1998) Fax from Donlon to Donagh O'Donoghue, stating a source for payment of the final 1% royalty owed to Martin McDonagh being split by Druid and the Atlantic Theatre Company (14 Sep 1998) Fax from Donlon to O'Donoghue listing possible solutions to be agreed for resolving the royalty-Martin McDonagh issue (16 Sep 1998)

Fax from Fortune Theatre, Dunedin, New Zealand, seeking rights for "The Beauty Queen of Leenane" (6 May 1999); Fax from Simon Prast, Auckland Theatre Company seeking rights information for New Zealand for "Beauty Queen" (27 Apr 1999); Copy of letter of payment of monies to Druid by Dramatists Play Service following production of "Beauty Queen" (8 Mar 2000); Copy of letter from Clare Barker, Rod Hall Agency to Garry Hynes, detailing an accounting error in accounts for "Beauty Queen" (18 May 2000). Other similar documents include comment of production rights and royalties from works by Martin McDonagh, notably "Beauty Queen".
Financial statements and invoices for income and royalties owed to Martin McDonagh by Druid Theatre, Feb 1997 and Sep 2000.