File includes casting information for "On Raftery's Hill" with CVs of cast and company members with contracts for those including Keith McErlean; Cara Kelly; Val Lilley; Mary Murray; Michael Tierney, Tom Hickey; Tony Walton (Scenic Design) Kieran Ahern, Paddy Cunneen (Composer); Barry O'Brien (Technical Manager); Niall Clery (Assistant Stage Manager); Clare McCaffrey (Stage Manager); Xenia Lewis (Stage Manager); Richard Pilbrow (Lighting Designer).

File includes fax and email correspondence between staff at Druid and at the Royal Court theatre concerning planning arrangements for production of "On Raftery's Hill". Topics covered include available of cast and company members, funding and costs, scheduling, drafting and development of play programme and publicity/marketing strategy.

Files of fax and email correspondence between Druid Theatre, The Royal Court and the Kennedy Centre, regarding marketing and publicity plans and work for production of "On Raftery's Hill". Includes a detailed marketing brief; correspondence between parties re. programme design, image inclusion and selection, drafting of text, comments and amendments to programme and poster etc. Also various lists of media commitments and coverage in print and broadcast media; draft of official press release about the play and other related information. Details of costs of production for programme also included.

Files related to the production, administration and staging of "The Hackney Office" by Michael Collins.

File includes email and fax correspondence between Druid staff, notably Ciara Ni Shulleabháin, with others including publicity, advertising and programme design plans for "The Spirit of Annie Ross". Also includes correspondence regarding travel and accommodation for cast and company members involved in the play.

File includes various versions and drafts of set designs and plans for design of set of "The Spirit of Annie Ross" by Bernard Farrell and directed by Garry Hynes. Other records include storage management running lists, prop research, set design research, wardrobe lists; character prop/costume information, images of prop research, lighting and sound design plans and other such records as cues and backstage effects. Production schedule also included. Notes from production meeting, 11 May 2001, also included.

File includes email and Fax correspondence between members of Druid administrative staff, such as Ciaran Walsh and others working on the logistics of production for "The Lonesome West", such as Barry O'Brien. Includes comments on travel and accommodation for Druid members, financial quotes for products and services and other related issues.

File includes fax and email correspondence between Druid and Bite! Associates regarding graphic design and programme design for "Learning to Love Doreen Nolan" by Owen Dunne. File also includes rehearsal notes from rehearsals of the play with detailed comments on the process; staff and cast contract of agreements made for working on the play; casting records such as cast member CVs also present. File also includes letter from Eoghan Dunne, the author, to Garry Hynes, enclosing a 'short one-act play' for consideration, which is the first contact regarding the play's production.

File includes detailed financial records of the box-office for "Learning to Love Doreen Nolan" by Owen Dunne, including nightly breakdown of ticket sales.

Files related to the planning and administration of production of "My Brilliant Divorce" by Geraldine Aron, produced at the Town Hall Theatre, Galway 28 Nov - 8 Dec 2001.