File includes Fax copies of the agreement made between the Sydney Festival Ltd. and Druid Theatre Company, detailing terms of production contract, production and rehearsal schedule, pr-agreed budget and other such information.

File includes proposed outline tech schedule, prop and furniture lists, container list, stage management plans, production schedule and other information relating to set and design.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Maurice Power, Louise Donlon and others of Druid and others such as Leo Schofield, Festival Director, Sydney; Annette Anderson, Production Co-Ordinator; Brett Sheehy, Deputy Director, Sydney Festival. Issues discussed include ground plans revisions (31 Jul); requests from Druid to finalise agreement plans and publicity 14 - (15 Jul); design constraints; plans of the York Theatre (11 Jul) Correspondence between Donlon, Schofield and Sheehy concerning a fall-out in planning of the Sydney production of the Trilogy owing to a subsequent offer of a production of "Beauty Queen" on Broadway. (1-3 Jul 1997) Correspondence through August confirms an agreement moving forward for a production by Druid in Sydney; decision the Footbridge theatre is technically suitable to host the Trilogy and further conversations concerning budget and agreement negotiations.

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing the possible clash of timing for a run of the Trilogy as planned in Sydney with a run of Beauty Queen of Leenane in New York which would see Beauty Queen be eligible for Tony award nomination; correspondence outlining 'a grueling production schedule' in Sydney, pending agreement of cast members; planning correspondence around logistics of shipping and transfer of set; budgetary and scheduling discussions; travel arrangements; publicity and media; a draft contract between druid and Sydney Festival and related information

File of letters and Fax correspondence between Druid Theatre Company and the Sydney Festival concerning the planning and administration of the touring production of "The Leenane Trilogy". Includes fax/letters between Donlon, Sheehy and others of Druid and the Sydney Festival discussing the attendance at the production by th Irish Ambassador to Australia; rehearsal and technical specification planning; fee payments and lodgement of payments; wages, payments and budget; insurance, packing and freight and other such administrative matters.

File includes planning and production material relating to "Shoot the Crow", formerly known as "Men at their Work", by Owen McCafferty. Includes rehearsal notes, casting reports and correspondence, production budgets, cast time sheets, nightly show reports with notes and comments from each performance; correspondence (Fax and letters) regarding publicity and graphic design and also correspondence around opening night and ticket arrangements.

File of Fax and letter correspondence between Druid Theatre and others concerning the production of "The Beauty Queen of Leenane" in New York at The Atlantic Theatre. Includes correspondence from Liz McCann of Elizabeth Ireland McCann, making arrangement for a New York theatre before the Atlantic is signed on, other venues are considered and discussed as well as the potential need for American cast members outside of the Druid company. Letters describe Neil Pepe at the Atlantic being "Bullish" is his chasing of the Druid/McDonagh play. Letter from Hilary Hinkle, Atlantic Theatre, expressing feeling strongly that "Atlantic is the right space and right atmosphere for 'Beauty Queen' . . . we can make introducing Martin and Druid to America an EVENT . . ." (21 May 1997) A subsequent fax outlining terms of production agreement from the Atlantic Theatre (8 May 1997)

File of Fax and letter correspondence between Druid Theatre and others concerning the production of "The Beauty Queen of Leenane" in New York at The Atlantic Theatre. Includes correspondence between Druid Theatre and Atlantic Theatre concerning production and administration of The Beauty Queen of Leenane at the Atlantic Theatre, New York. Includes discussion around publicity images for use in New York, housing for Anna Manahan and cast members; equity confirmation of permission to use Irish (Druid) actors in the American tour production; terms of agreement for permission to employ Mullen and Manahan under Equity rules in America; discussion surrounding set and design arrangements and concerns; and also correspondence (letters/Fax and memo) between Druid and Atlantic concerning terms of agreement and production.

File of Fax and letter correspondence between Druid Theatre and others concerning the production of "The Beauty Queen of Leenane" in New York at The Atlantic Theatre. Includes correspondence between Druid Theatre and Atlantic Theatre concerning production and administration of The Beauty Queen of Leenane at the Atlantic Theatre. Includes discussion between Mairead McGrath, Matthew Silver, Hilary Hinckle, Louise Donlon, Marie Mullen, Bernie Walsh, Neil Austen, Anna Manahan, Martin McDonagh, Martin McDonagh, Brian F. O'Byrne, Garry Hynes, Simon Hillier, Alpha Hopkins, Carolyn Jennings, Peter S. Cane, Freda Farrell. Items discussed include rehearsal schedules and timeline rules, travel and accommodation for cast and company members in New York, visa and emigration issues, (the cast are travelling from Sydney to New York for the production) Legal correspondence between Druid and the Royal Court Theatre concerning production contract and agreement for "The Beauty Queen of Leenane" production in New York.

File of letters which detail the beginning of the transfer of the production of "The Beauty Queen of Leenane" from the Atlantic Theatre to the Walter Kerr Theatre, Broadway. Includes fax and letters between Jerome Hynes, Maria Flemming, Louise Donlon, Darlene Lacovara, Christopher Mannion, Andy Shearer, Bardo Ramírez, Nica Burns, Freda Farrell. Correspondence discusses planning and publicity around the transfer, accommodation details, financial matters such as budget costs for the transfer and other invoices/costs received; ticket arrangements for Neil Jordan and also further discussion around contract and production agreement clauses.