File includes fax and email correspondence between staff at Druid and at the Royal Court theatre concerning planning arrangements for production of "On Raftery's Hill". Topics covered include available of cast and company members, funding and costs, scheduling, drafting and development of play programme and publicity/marketing strategy.
Printed document
6134 Archival description results for Printed document
File includes fax and email correspondence between Druid Theatre Company and the Royal Court Theatre (The English Stage Company) concerning the proposed tour programme and schedule for "On Raftery's Hill". Includes discussion on technical and design concerns, logistics of travel, rehearsal and production dates, meeting notes on proposed tour to Kennedy Centre, New York and correspondence concerning company and design team.
File includes casting information for "On Raftery's Hill" with CVs of cast and company members with contracts for those including Keith McErlean; Cara Kelly; Val Lilley; Mary Murray; Michael Tierney, Tom Hickey; Tony Walton (Scenic Design) Kieran Ahern, Paddy Cunneen (Composer); Barry O'Brien (Technical Manager); Niall Clery (Assistant Stage Manager); Clare McCaffrey (Stage Manager); Xenia Lewis (Stage Manager); Richard Pilbrow (Lighting Designer).
Files include contracts and agreements between Druid Theatre, The Royal Court Theatre and the Kennedy centre, New York and also with Marina Carr, playwright and cast and creative team members for production of "On Raftery's Hill" by Marina Carr and directed by Garry Hynes. File includes a 'Commission Contract' from Druid to Marina Carr (10 Mar 1994) to write and complete a play with a working title of "Devils and Angels Love My Shoulder, signed by Marina Carr and Jane Daly. File also contains follow on drafting of agreement, 28 Mar 2000, between Carr and Druid following the lapse of the 1994 agreement option on the Carr play commission; includes further correspondence and drafting of contract between Carr, Druid and 'The Agency', Carr's literary agent. Copy of draft co-production agreement between Druid and the Royal Court Theatre, with annotations included re. production agreement.
File of correspondence and contract regarding agreement between Druid and the Kennedy Centre, New York, for production of "On Raftery's Hill" by Marina Carr. Includes fax correspondence detailing discussion of terms and conditions of agreement for production, by Ciaran Walsh of Druid and Rebecca Foster of the Kennedy Centre. Final contract dated 5 May 2000, signed by Walsh and also Max Woodward, Programme Director, Kennedy Centre.
File includes drafts of pre-production and final production budget for "On Raftery's Hill" with detailed information on schedule of costs and breakdown of expenditure expected. File also includes time-sheets of hours worked by cast members, for use in wage accounts.
File includes fax copies and original statements of box-office accounts, giving nightly figures of returns on tickets sold for "On Raftery's Hill" at the Gate Theatre, Dublin and at the Town Hall Theatre, Galway.
Issue of New Blackfriars journal, with two book reviews on Northern Ireland by Kevin Boyle.
File includes photocopy of manuscript notes by Etienne Rynne, which includes notes and drawings made on objects in various museums. File entitled "How to Keep a Notebook".
File of black and white and sepia images taken largely at Strand House, Limerick, home of the O'Mara family. Images are all taken outside in the gardens and grounds of the house. Those pictured include Michael Rynne, his wife Nathalie, Mary O'Mara, Peter O'Mara, with two children, Mary Rynne as a child, Anne and Peter O'Mara.
Includes colour photocopy of photograph at Strand House, Limerick, with caption "President de Valera at Strand House, Limerick early on the historic morning of 6th December 1921, immediately after the President received telephone message re Treaty." Michael Rynne is pictured.