File of letters sent to Garry Hynes, Artistic Director, Druid Theatre Company, also from/to members of Druid Theatre Company. Letters present from Garry Hynes; Louise Donlon (re. budget and production costs); Paul O'Connor re. invitation for Hynes to contribute to a book on classical music; Jim Gibbons; Neil Pepe, Atlantic Theatre Company, NY; Tony Ó Dálaigh, Dublin Theatre Festival Director; Robin Midgley re. Druid production at the Lyric Theatre, Belfast; and various others.
Printed document
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File of letters sent to Garry Hynes, Artistic Director, Druid Theatre Company, also from/to members of Druid Theatre Company. Letters present from Garry Hynes; Zoe Seaton; Anna Combs; Francine Mulrooney; Gregory Gudgeon; Janelle Reinelt; Rod Hall (Literary Agent for Martin McDonagh); Ciarán Benson; Jackie Uí Chiona; Francoise Loubet; Martha Lavey; and others.
Photocopy of published version of the script of 'Gaslight', written by Patrick Hamilton.
Assorted printed programmes from productions at the Gate Theatre Dublin which were designed by Joe Vaněk. Programmes include: "A Woman of No Importance" by Oscar Wilde, July 1984; "Innocence: The Life of Caravaggio" by Frank McGuinness, October 1986; "The School for Scandal" by R.B. Sheridan (25 July 1989); "Peer Gynt", in a new version by Frank McGuinness, October 1988; "Molly Sweeney" by Brian Friel (Aug 1994); "Gates of Gold" by Frank McGuinness (Photocopy Only); "The Threepenny Opera, by Bertolt Brecht and Kurt Weill, in a new version by Frank McGuinness (Photocopy only); "The Recruiting Officer" by George Farquhar (photocopy only); "Heartbreak House" by G.B. Shaw (Photocopy Only); "Bash" by Neil LaBute (March 2001); "Therese Raquin by Emile Zola, adapted by Nicholas Wright (Feb 2001); "The Shape of Things" by Michael Caven (Feb 2002); "The Price" by Arthur Miller. 2004; "Performances" by Brian Friel, (Sep 2003); "The Book of Evidence" by John Banville, adapted by Alan Gilsenan, June 2003; "The Speckled People" by Hugo Hamilton (2011); "The Mariner" by Hugo Hamilton (2014). Assorted flyers and handbills for productions as above also included.
File includes assorted flyers from furniture suppliers, regarding possible items for use in stage and set design; contact sheet of multiple thumbnail images, with attached article, with heading "Gates of Gold Lighting References"; fax copies of Gates of Gold daily rehearsal reports; storyboards of research images sourced by Joe Vaněk for specific character costume design; Copy of production schedule for Gates of Gold; Costume Breakdown being a list of all costume items used; costume drawings for each character, set design plans and other drawings for set/costume design. Also includes fabric swatches for furniture and costume research. Outsize (A3 size) costume drawings also present. Also colour photographs of furniture items considered for use on set.
NOTE: Outsize original costume designs are located in outsize file box T26.
Print out of black and white images and research articles relating to the design of the set and costumes designed by Joe Vaněk. The material includes material and information on Hilton Edwards and Micheal Mac Liammóir, as well as featuring images of both at home and with company at their home on Harcourt Terrace as well as old Gate Theatre images which feature Orson Welles as Othello and also Mac Liammóir as Peer Gynt in 1928 at the Gate.
File relating to the production of Gates of Gold by Frank McGuinness, produced at the Gate Theatre and designed by Joe Vaněk, directed by Patrick Mason.
File of materials relating to the study of scenography by Gavin Quinn while a student at Trinity College Dublin. Includes a folder of printed hand-outs and copies of excerpts from books and images relating to the study of scenography. Also includes an A4 notebook with manuscript notes and writings by Gavin Quinn on directing and on scenography, including specific headings on environmental scenography.
Files relating to works mostly non-Pan Pan and pre-Pan Pan theatre company with Gavin Quinn and Aedín Cosgrove. Includes student works produced by Dublin University (Trinity College Dublin Players) in which Gavin Quinn was a member as a student at TCD; Productions by Corcadorca Theatre Company, Cork, with design by Cosgrove; Notebooks with administrative and creative notes and writings relating to Pan Pan Theatre Company by Gavin Quinn, and records of other productions (non-Pan Pan) worked on by Quinn and Cosgrove such as Opera Theatre Company, Abbey Theatre, Dublin, and at other venues in Ireland and internationally.
Files relating to research and legal cases challenging Human Rights for Homosexual people in Northern Ireland and the Republic of Ireland. Files include legal cases such as Dudgeon Vs The United Kingdom and Norris Vs the Attorney General.