Files relating to the production and design of Miss Julie by August Strindberg in a version by Frank McGuinness, staged at Project Arts Centre, produced by Landmark Productions, directed by Michael Barker-Caven and designed by Joe Vaněk.

File includes outsize plans and drawings, such as Stage Left Section of the Gate Theatre (1999) draughted by [Gillian Ní Chasaide]; Elevation of set/stage design of The Shape of Things at the Gate Theatre, drawn by Joe Vaněk; Set Design plan for The Shape Of Things; Technical Drawing Sheet 1; Technical Drawing Sheet 2; list of set props and furniture and assorted draft pencil sketches by Joe Vaněk, as well as copy of character costume drawings by Joe Vaněk.

File includes black and white research material and images sourced by Joe Vaněk. Includes manuscript research notes by Vaněk and correspondence to others such as LaBute and Anne Clarke of Landmark Productions; series of draft sketches and drawings of set designs and notes by Vaněk; Copy of the Production Schedule.

File if original costume drawings and illustrations by Joe Vaněk. Also includes assorted plans and drawings of the stage, such as Elevation, Gate Theatre Dublin, and assorted technical drawings. File also includes notes by Vaněk from production meeting.

Research files, plans, drawings and photographs from production of Moon for the Misbegotten, written by Eugene O'Neill and produced at the Geva Theatre, Rochester, New York, designed by Joe Vaněk, directed by Ben Barnes in a Theatre Royal Waterford production. The play opened at the Theatre Royal, Waterford, 10-12 March, and also toured to the Lyric Theatre Belfast in March 2016.

File includes research material collected by Joe Vaněk in design for set and costumes for Moon for the Misbegotten, directed by Ben Barnes. Includes colour print-outs of art works; black and white photographs of various house exteriors which are rural American and visibly crumbling; also interiors of said house, rusted broken down vans and trucks; printed flyer from the Waterford production of the play; images and drawings of the stage and auditorium of the Geva Theatre, NY; photographs of the set model box design by Vaněk; Fabric samples for costume design and set design; colour samples for colour palette of play design; typescript notes by Vaněk outlining progress report on design; rehearsal schedule and cast/crew listing; flyers and business cards of suppliers of materials for the set and costumes.

File includes colour photographic prints, 6 x 4, taken during rehearsal of Performances at the Gate Theatre, Dublin, with cast members in costume and on stage. Also pictured at rehearsals with a string quartet is author Brian Friel. Black and white images taken by Vaněk and used within his programme article are also included.
Press Cutting of review of the play by Fintan O'Toole in the Irish Times (2 Oct 2003.)

Material from production of The Threepenny Opera by Bertolt Brecht and Kurt Weill, A new version of Bertolt Brecht's and Kurt Weill's original, from a literal translation by Constance Hayes, directed by Patrick Mason and designed by Joe Vaněk. Includes colour photographs, 6inch X 4inch, taken during production of the play; negatives of photographs and also colour drawing of set design by Joe Vaněk;

Material relating to production of Innocence, The Life of Caravaggio by Frank McGuinness, produced at the Gate Theatre, Dublin, directed by Patrick Mason and designed by Joe Vaněk. File includes a range of colour photographs from production and also artwork such as [draft poster] for the play.

Material relating to production of The School for Scandal by Richard Brinsley Sheridan, produced at the Gate Theatre, Dublin, directed by Patrick Mason and designed by Joe Vaněk. File includes colour photographs, 6 inch X 4 inch of the production, also includes black and white (copy) and colour costume drawings of characters by Vaněk.