Files with various magazines and journals collected by Carolyn Swift.

Files relating to the writing, filming, development, and screening of film written by Carolyn Swift, "Mac Liammóir's Dublin".

File 1 includes draft writing, notes, and production material for "Mac Liammóir's Dublin" written by Carolyn Swift. Includes notebook of writing on the film by Swift, other assorted typed drafts of script, typed production material including shot list, unit list, sound rolls, treatment for the film, research document into old professions of Dublin.

File 2 includes letters and correspondence relating to production of "Mac Liammóir's Dublin" film (also referred to as "The Importance of Being Dublin", written by Carolyn Swift. Letters present between Swift and Norman Cohen, producer of Norcon Films; Also letters between Swift and Cohen discussing later film screenplays, for Swift's book "Robbers in the House" (July 1983); Letters between Swift and Failte Ireland Tourism Board about the film screening in Dublin, invitation, event planning (1973 - 1974), general production correspondence with Cohen (mentioning the band, Horslips). Also includes article by Carolyn Swift, entitled "Norman Cohen - An Appreciation".

File 3 includes materials from the planning and public screenings of "The Importance of Being Dublin" about Michael Mac Liammóir, and its screening as part of the Cork International Film Festival 1974, includes festival programme, printed invites to world premiere screening at the Savoy Cinema Dublin, and also screening at the Regent Cinema; and related promotional and marketing materials about the Festival.

File 4 includes press cuttings of reviews and coverage of the Cork International Film Festival 1974 and of the screening of "The Importance of Being Dublin" by Carolyn Swift.

File with typed lyrics by Carolyn Swift used within a version of Lysistrata during the Dublin Theatre Festival and which starred Anna Manahan and Agnes Bernelle. Also includes letters between Swift and Manahan and Bernelle, as well as press cuttings of letters between all three which were published in the Irish times, regarding a disagreement about edits and credit of lyrics within the production.

Files relating to television series "Looking at Drama", broadcast on RTÉ television and with episodes written by Carolyn Swift.

File 1 includes scripts of episode 1 of the series, and entitled "Drama How Are Ye", written by Carolyn Swift. (4 scripts), produced by Dónall Farmer.

File 2 includes press cuttings of reviews and coverage of the series (and with photograph of Swift included); letters between Swift and Basil Payne and with Gerald Davis - sending good wishes to Swift on success of the programme (1969); TV viewing reports from RTÉ about the series, its themes, viewing, and performance; running order documents for the production of episodes 1 and 2 of the series; draft typed and final version scripts of episode two of the series, with working titles of What is Acting? / "How Should Acting be Presented?", with synopsis of content to be included; script of episode 2 written by Carolyn Swift; also transcript of interview by Carolyn Swift with playwrights Hugh Leonard and with Tom Murphy.

File 3 includes typescripts of planning and overview documents for the 'Looking at Drama' series, written by Carolyn Swift. Documents entitled "Experimental Theatre Series" and other typed document "For Use With First of 'Looking At Drama' Series" (1969).

Typescript of 'Longitude 49', a play by Herb Tank, Unity Theatre Players' Script, 1950. Includes list of actors for roles hand written onto the script by Carolyn Swift. Undated when that cast list was written. it could related to Pike Theatre or possible later work with RTÉ drama.

Typed script, with annotation/stage directions for sketch "Live in Bromley, Kent', produced by the Pike Theatre Dublin as part of the Late Night Follies. By Carolyn Swift.

Files from various literary groups, theatre boards, and organisations of which Carolyn Swift was a member of, such as Writers Guild UK, Society of Irish Playwrights, Irish PEN, and others.

Typed screenplay of "Like Charlie Chaplin, Only Better" by John McArdle for Kinship films Ltd.

File of scripts relating to a stage play of "Lady Windermere's Fan" adapted by Carolyn Swift from the original play by Oscar Wilde. Includes typescript draft with heavy annotation and edits by Swift and file 2 contains final broadcast script with listing of cast and production crew members as well as some TAM rating information handwritten on the cover. Play was produced and directed on RTÉ by Chloe Gibson.

File with typed playscript of "Lady G" by Carolyn Swift, adapted for radio by Swift. Script used for radio version of the play.