File of typescript lyrics for sketches and songs by Carolyn Swift, with handwritten notes and annotation by Swift. Titles of songs/lyrics include: Always There, Believe in Me, the Breathless Lover or My Heart Always Goes, the Call of Mallorca, Charlie, Charlie's Bar in Palma, Danger Ahead, Fairy Tales, Going To Work, Go Now, Higgledy-Piggledy, I'm for You, I'm Out Of My Mind, Duet: If I Were Married To You, Jig Saw, The Lonesome Horseman, Love To Burn, Mick the Flick, My Love's Coming Home, Nevermore Be Leaving, Nothing Holds Them, No One Knows, Once Again, Pick Up The Pieces, Roundabout, A Scrap Of Paper, Screen Love, She Isn't Exactly, Soldier Soldier, So Many People, Table For One, Take My One, To Be or Not To Be, A Thing Of The Past, This is The Island, Time Was, To be In Your Arms, Unless You Weep Pearls, Walking the Road, When Winter Comes Around, Where in the World, Why Did they Go?, World Of My Dream, Winds of Change.

File of typescript lyrics for sketches and songs by Carolyn Swift, with handwritten notes and annotation by Swift. Titles of songs/lyrics include Sleepy Joe, Heaven Knows Why, Lying Lips, A Thousand Years Ago, I Don't Believe What I Say, Little Miss Spider, Lazy Woman, When I Was Young, Call, Saturday, Don't Think of Me, Bring Me Back to the Sun, It's So Hard to Hide, I Must Have Just Imagined It All, Third Stop South of Nowhere, Screen Love, The Persuasive Irish, The Song of Roy Bradford, John Milton Hayes, The Ulsterbus, Songs of Clontarf Resident, Busting Out, Counter Melody (Women Have Gone Suddenly Mad), Now, Don't Close The Door, Nothing Holds Them, Going To Work, Mirage, Script For the R.E.S.O. Concert of Beethoven's Eighth Symphony, If Only You'll Trust Me, Bring Me Back the Sun, You Can't Serve Two Masters. Decline and Fall (music by George Desmond Hodnett, a revised version of original version from 1954 and produced at the Pike Theatre, Dublin and by the Pike at the Cambridge and Lyric Theatre, Hammersmith, London.

File of typescript lyrics for sketches and songs by Carolyn Swift, with handwritten notes and annotation by Swift. Titles of songs/lyrics include: Time and Motion, Dracula, Big Fish, The Tortoise and the Hare, When I was Young, It's So Hard to Hide, Faith Hope, and Charity, Maureen's Spot, Parody on 'She Moved Through the Fair' for Clare Mullan, She Moved through the Fleadh!, Interview with Santa Claus (c/o Proinnsias Mac Aonghusa, Off and On, Busting Out, Curtain Raiser - Hernando's Hideaway (Pike Theatre, 24 Feb 1963), The Persuasive Irish, Please Be My Teddy Bear, Laurie Morton - Single Spot for Royal, The Auld Orange Flute, Single for Eugene Lambert, The Persuasive Irish, When We Hadn't RTÉ, Parody on 'Old Uncle Tom Cobley' for 'Wanderly Wagon, Musical Rathmines, Couplets for Cowards, Let Me Go On Lovin' You for Now, There's Nothing Like Bingo, Strength Through Joy.

File of letters relating to the writing and composition of songs and lyrics by Carolyn Swift and which used in various productions. The letters include to/from Swift and Fergus Linehan; Fran [ ]; Carl [ ] at RTÉ; Noel Smyth, RTÉ; Ricky Stephens; Joe O'Donnell, RTÉ; Bill Golding; Adrian Cronin, Head of Light Entertainment, RTÉ; Ruth O'Meara, Phoenix Productions; Noel Pearson.

Typed song lyrics as used in Pike Theatre Dublin Follies and Revues, some with annotation and edits/stage directions. Sheets of song lyrics present for:

Lullaby; Party Piece No. 1; She Has Everything She Wanted; Out of the Blues; Me; Lullabye; Blue-Eyed Baby; El Dulce Milagro; Ding Dong Bell; "Alone Tonight" Blues; The Ghost Walks; Union Street; Variety Turn.

Files with typed texts of 'Song and Dance Numbers' from the Follies and sketches produced at the Pike Theatre, Dublin. Some annotation and edits to the texts also present. Titles of song and dance numbers as follows:

File 1 - Foreign Games!; Gad-About; I Couldn't Say "Yes"; Hogsville, Idaho; Everywhere I Go!; Cuchulainn and the Bird; Diversion With Music; The Geophysical Year; The Old Duet; In Father's Conservatory; Laurie Morton - Single Spot for Royal; Zombie Jamboree; Cuchulainn and the Raven; Do It Yourself!; Keep Hot in Paris; Dream Sequence; Annabelle.

File 2 - Rum and Coca-Cola; I'm a Better Woman Than You; Solas Market; Keep Mum Calypso; Voodoo; A Tasty Dish in Rythm [sic]; When I First Met You; Silver Shore; Someone Comes Along; Swan Song; Piano Man; Quartette.

File with scripts, correspondence, and related documents from the development, production, and broadcast of 'Solo' series on RTÉ Television, by Carolyn Swift. Includes scripts, drafts, running order, and parts from the episode of 'Solo' for T.P. McKenna (Feb 1964), including text of extract from "Are You Cracked or Are You Mad" by Edna O'Brien; episode of 'Solo' with David Kelly (Feb 1964)

Also includes letters from Carolyn Swift to those involved in episodes of 'Solo', such as T.P. McKenna, Katie Kahn-Carl; Letters to and from actor David Kelly, with discussions around his episode of 'Solo'. (Jan 1964).

File with scripts, correspondence, and related documents from the development, production, and broadcast of 'Solo' series on RTÉ Television, by Carolyn Swift. Includes scripts, drafts, and parts from the episode of 'Solo' for Eamon Kelly (March 1964); 'Solo' episode by Hal Roche (March 1964); 'Solo' episode by Anna Manahan (Apr 1964); 'Solo' episode for Cecil Sheridan;

Correspondence from Swift to others including Joan Stevenson, London re. rights to extracts from works by Ray Bradbury (1964), to Katie Kahn-Carl also re rights to extracts from The Rose Tattoo by Tennessee Williams (1964); Letter from Swift to Anna Manahan re. offer to record for 'Solo' (2 Mar 1964); hand written letter from Cecil Sheridan to Swift (11 Apr 1964).

File with scripts, correspondence, and related documents from the development, production, and broadcast of 'Solo' series on RTÉ Television, by Carolyn Swift. Includes scripts, drafts, running orders, and parts from the episode of 'Solo' for Martin Dempsey; Scripts and production documents for 'Solo' episode of Donal Donnelly (Jan 1964), memos and letters discuss clearances of rights for parts of episodes e.g. use of Drum Solo from The Scatterin' by James McKenna in an episode (1963); Scripts, texts, running orders etc. for episode of 'Solo' for Milo O'Shea (Jan 1964); Script and text of parts of 'Solo' episode of Jim Norton, and also letters between Swift and Norton about the episodes.

File with letters between Carolyn Swift and James (Jim) Plunkett regarding 'Solo' series. includes memo from Plunkett to Swift - "I fully appreciate the excellent work you are doing on the "SOLO" series ... nevertheless, the title of "Script Editor" is mine" (14 Apr 1964); Typed letter by [Swift] to Plunkett with progress reporyt on "series of special Half-Hour One-Man Shows, with discussions about the series content and input from Dermot Kelly, Ray McAnally, and Joe Lynch (18/11/1963);
Typed Script for Solo episode - Brendan Cauldwell, produced by Bob Quinn (14 June 1964); Carbon copy of same script, annotated by Carolyn Swift (14-17 June 1964); other episode annotated scripts by Swift, Newspaper cuttings of TV broadcast listing (Dec 1963); Krupp's Speech From the Time of Your Life by William Saroyan; Script for Solo Episode - Martin Dempsey, annotated by Swift (Dec - Jan 1963-1964); Typed 'Solo' script document "Marie Keane May/June 1964, with Mary Byrne's speech from Synge's The Tinker's Wedding, with texts for other scenes from Marie Keane 'Solo', with excerpts used from Sean O'Casey and Brendan Behan; Script for 'Solo' episode for episode with Eamon Keane, by Carolyn Swift and produced by Bob Quinn (10 May 1964).

Also handwritten letters between Swift and others involved in the series, including Eamon Keane, Sheila [ ]; Benny [ ]; Brendan Cauldwell (1963-1964).