Contact sheet with 10 images.

Group photographs of the Quinn family, with the index referring to P J Quinn, and Steve and Betty O'Shaughnessy.

15 negative images.

Photographs taken at the oyster festival in Rosmuc. Difficult to make out but some people are set dancing, and the caterers seem to be photographed.

15 negative images.

More photographs from the oyster festival in Rosmuc. Difficult to make out, but metadata says 'Máirtín Jaimsie and Co.'

35 images on negative and contact sheets.

Photographs from Féile na nOisirí in Rosmuc. Sean-nós dancing, and a band playing on stage.

Folder of contact sheets and corresponding negatives documenting aspects of life in Connemara in 1997. Included are images from the Oyster Festival in Rosmuc, Pléaracha Rosmuc, and a trip to Tatarstan, as well as aspects of Bob Quinn's family life.

Folder of contact sheets and corresponding negatives documenting parts of local Connemara life, including the oyster festival in Rosmuc, sean-nós dancing, Pléaracha Chonamara, and aspects of Bob Quinn's home personal life.

Some portrait photographs of local people, that were published in 'Conamara, An Tír Aneoil, The Unknown Country', published in 1997.

24 images on negative and contact sheets.

Owen Durcan, giving the thumbs up out the window of a van, a young boy called James looking at the camera, and squinting in the sunlight.

Marcus and Bob Quinn photographed sitting in a car. Family photographs of Miriam Allen sitting in the garden with Marcus and Dominic.

Large mounted black and white photographic prints, including studio portraits of Genevieve Lyons, also headshot images of Lyons. Also pictured is Lyons with Micheál Mac Liammóir and also a production photograph of Lyons with Milo O'Shea.

Mounted foam board colour photographs and publicity information from the Broadway production of Dancing at Lughnasa, written by Brian Friel and designed by Joe Vaněk.

Mounted foam board colour photographs from San José Rep production of By the Bog of Cats, written by Marina Carr, designed by Joe Vaněk.