Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 034

Mounted photograph featuring 5 men and a mule with a load on his back, taken in a wooded area.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 038.

Mounted photograph of a group of men and women who look as though they are on an expedition in some wilderness. All subjects are wearing wide brim hats for the outdoors. There are nine people photographed in total. A man who is possibly O'Shaughnessy is standing at the very left hand side of the photograph.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 042.

Mounted studio photograph, a head and shoulders portrait of a man looking directly at the camera. The man is a young adult wearing a suit, and Asian. The photographic studio is Imai Art Studio in San Francisco. The photograph is undated, and its subject unidentified.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 045.

Mounted photograph of a group of 10 men and women on an expedition in woodland. All are wearing wide brim hats, and are photographed sitting. Location and date are unspecified.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 049.

Mounted studio photograph, a head and shoulders portrait of a young woman (possibly a teenager), smiling at the camera. The photograph is undated, and the woman unidentified, although it seems likely that it is one of M M O'Shaughnessy's daughters. The studio is in San Francisco.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 060.

Mounted photograph, a full length portrait of a girl on what is possibly her Communion Day. She is wearing a white dress and veil, and is holding a prayer book. Undated. Photographer details on the back, J H Peters, San Francisco.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 062.

Mounted studio photograph, a head and shoulders portrait of a young girl of approximately 3 years of age. It is possible it is the same girl in 061. An inscription on the back of the photograph reads 'Jennie'. The photograph is undated, and photographer details on the back, Elite Photographic Studio, San Francisco.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 069.

Mounted group photograph inscribed 'Madge's wedding feast'. A group photograph of a wedding party ***is Madge O'Shaughnessy's wife? The groom in this photograph COULD be O'Shaughnessy, but I am not certain. Undated, the photographer is William Schroeder, San Francisco.

Contact sheets, negatives, and prints of Gilbert Stucky's black and white photographs of funerary cairns and centographs for 'Mementos of Mortality'. There are also black and white contact sheet images of a smiling Tim and Máiréad Robinson in Roundstone in their home, next to a Folding Landscapes sign, and with a pet dog.

A folder of photographs in an envelope addressed to an tAth / Fr Tadhg Ó Móráin. Postmark dated 5 Jun 1986.

Digital File see p135 --> archive --> OCR --> Box 15 -->Photographs --> 001. Mounted photograph portrait of a young man (possibly O'Shaughnessy's son), head and shoulders.

Family photographs of M M O'Shaughnessy and his daughters on their trip to Europe in the early 1920s. Many photographs taken in Rome, where they visited the grave of John Keats, took a trip on a gondola. Photographs are sometimes blurry and are mostly of scenery. Some photographs of the daughters, and one of O'Shaughnessy posing outside a large house.

A photograph of a man in front of a castle wall, caption on the back says "father at Kenilworth Castle, Leamington". Taken in England.

Photographs 1-62 are from this trip.

From 63-73, the photographs are in colour and more modern (ca 1960s). They feature two men and a woman (not convinced she is an O'Shaughnessy) at Japanese gardens.

From 74, the black and white photographs recommence. The first in this series features one of the O'Shaughnessy daughters sitting on a deck chair on the Riviera, wearing a fur coat. This section of photographs contain captions, and includes a minor car collision in Paris, and other pictures of the sights in Paris. A photograph taken at Newgrange, and then several more photographs of the O'Shaughnessy daughters with their father on the 1920s European trip.

From 136, the photographs are larger. Many of these are postcards. Three are mounted, studio photographs, two of men, and one of a woman. Early 20th century. None are identified. Photograph of 3 people in fancy dress. The final two photographs are older images from O'Shaughnessy's work projects. The first is on an unidentified rail track. The second is the Morena Dam, and is captioned.