Says he encloses "Gombeenism" with Yeats' criticism. Says that Yeats said in a letter that the play could not be produced as it was, but with some edits and rewrites it could be.

Asks if in the event of the Abbey company going to America in the Autumn, they can have permission to play Brophy’s play there, and includes the Authors Fees that the American Agents agreed on. 10 dollars for 1 act plays, 15 for 2 act plays, and 20 for 3 act plays. Sent from “Royal Court Theatre, London, SW” on Abbey stationery. Note initialed by Brophy saying that permission was sent in a letter on June 12, 1911. In the third line of the text from Robinson, the word “plays” is altered to “play”.

Says it was nice to hear from Brophy, even though the letter was a complaint. Talks about the program for a festival in which some were not able to be represented. Says of the Cork Realists, only Mr. Murray is represented. Says he has always admired Brophy’s plays, and he would like to see a revival of one and that it could maybe be done in winter. Late 1930s Abbey stationery, many Directors, secretary is Eric Gorman. Brophy’s address is Dublin.

Says it has been a busy week preparing all the scenery and “stuff” for America. Says thank you for trying to get the clothes, says he is writing down to Galway for the flannel jackets. Letter shares a sleeve in the binder behind item 23

Says that he is sorry the play wasn’t complete, and the man who looks after the MS wasn't there so he had to find it himself. Says he sends it now complete. They had to cut down the third act, and is sending two versions of it. Says that since Brophy is re-writing the principal parts he will probably alter the end himself a good deal. Asks for the revised version the next month to put it on with the first company before Christmas, and if not in time then it won’t be done until spring by the second company. Says he has heard nothing about “the new play”. The word “play” in the first sentence is underlined in pencil, and above it is written “Casting Out of Martin Whelan” in Ray’s handwriting. The letterhead is in its more basic form again, with Fred O'Donovan listed as the Business Manager, and Nugent Monck listed as the Controller

Says he encloses Martin Whelan, “as nothing definite has been settled about it”. Says that Robinson and the company are in Harrogate for the week but are coming back the next Monday. Letterhead has returned to the style from 1911

Allgood asking Brophy to clarify on “two little matters” about The White Feather, because she is stage managing it. She then asks if certain changes can be made in the script. She asks about the second act and if Dillon knows that her son has murdered the owner of the estate. Second, she asks if on pg 43 in Act 2 Brophy can change some offstage voices to a person coming onstage to deliver news. Written on Abbey theatre stationary, Norreys Connell no longer listed as a director.

Allgood tells Brophy she encloses the last act of The White Feather. Says that she has not yet sent it to a typer, and will wait until he sends the alterations to the act before doing so. Mentions that all revisions are submitted to the Directors. "The Shewing-up of Blanco Posnet" by Bernard Shaw now appears on the Abbey letterhead

Allgood says she was unable to reply to Ray’s letter of the 3rd earlier because she was ill. Says she is glad he enjoyed her performance of Mrs Kiniry and will treasure his letter. Says she has forgotten the name of the book she mentioned in a conversation with him. Not on Abbey stationery.

Henderson tells Brophy The White Feather will be produced on Thursday the 16th, dress rehearsal being the day before at 8 o’clock, and does he have any plans to visit.